smithklein gallery gallerysk@aol.com e23026766cfa4886955c150ea3c31949236c8b5f 80302 NORFOLK ISLAND Started in 1984 in Boulder Colorado Owner Deborah SmithKlein and her son Nathan continue to bring contemporary and traditional art to the area. Art Talk in Boulder http://www.clickcaster.com/arttalk smithklein gallery smithklein gallery gallerysk@aol.com Description and discussion on art and artists featured at SmtihKlein Gallery. no art artglass artist artists arts boulder bronze colorado contemporary encaustic fetishes galleries gallery glass jewelry oil painting paintings pastel pottery sculpture technique traditional watercolor http://www.clickcaster.com/channels/arttalk/thumbnail.jpeg Art Talk in Boulder http://www.clickcaster.com/arttalk en-US Standard US Copyright Fri, 05 Oct 2007 18:54:00 -0500 ClickCaster FeedGenerator v3.0 Erin Dertner Fri, 05 Oct 2007 18:54:00 -0500 http://www.clickcaster.com/items/erin-dertner-2 http://www.clickcaster.com/items/erin-dertner-2 http://www.clickcaster.com/items/erin-dertner-2 3533148 Erin Dertner, oil painter from California. no 9:35 Erin Dertner Erin Dertner, oil painter from California. The 3rd Annual ART OF LOVING ANIMALS benefit show
For more information please call 303 444 7200 or visit our website at www.smithklein.com ]]> Tue, 07 Aug 2007 18:20:00 -0500 http://www.clickcaster.com/items/the-3rd-annual-art-of-loving-animals-benefit-show http://www.clickcaster.com/items/the-3rd-annual-art-of-loving-animals-benefit-show http://www.clickcaster.com/items/the-3rd-annual-art-of-loving-animals-benefit-show 3531132 Our benefit show will run through the month of August 2007. 10 percent of select items will be donated to the humane society of Boulder. in addition, there are several items on silent auction. 100 percent of silent auction items will be donated to the Humane Society. For more information please call 303 444 7200 or visit our website at www.smithklein.com no 25:07 The 3rd Annual ART OF LOVING ANIMALS benefit show Our benefit show will run through the month of August 2007. 10 percent of select items will be donated to the humane society of Boulder. in addition, there are several items on silent auction. 100 percent of silent auction items will be donated to the Humane Society. For more information please call 303 444 7200 or visit our website at www.smithklein.com Greg Coffin- Pastel Artist Sun, 08 Jul 2007 09:54:00 -0500 http://www.clickcaster.com/items/greg-coffin--pastel-artist http://www.clickcaster.com/items/greg-coffin--pastel-artist http://www.clickcaster.com/items/greg-coffin--pastel-artist 3529850 Interview with Pastel Artist, Greg Coffin. no 12:57 Greg Coffin- Pastel Artist Interview with Pastel Artist, Greg Coffin. Gerard Mortier Our June show featured French oil painter, Gerard Mortier.

]]> Sun, 03 Jun 2007 14:09:00 -0500 http://www.clickcaster.com/items/gerard-mortier http://www.clickcaster.com/items/gerard-mortier http://www.clickcaster.com/items/gerard-mortier 3527533 Our June show featured French oil painter, Gerard Mortier. no 8:28 Gerard Mortier Our June show featured French oil painter, Gerard Mortier. Sergey Cherep and Mark Lague ]]> Sat, 19 May 2007 17:22:00 -0500 http://www.clickcaster.com/items/sergey-cherep-and-mark-lague http://www.clickcaster.com/items/sergey-cherep-and-mark-lague http://www.clickcaster.com/items/sergey-cherep-and-mark-lague 3526578 Interview with Natahn and Le'a on artists Sergey Cherep and Mark Lague. no 11:16 Sergey Cherep and Mark Lague Interview with Natahn and Le'a on artists Sergey Cherep and Mark Lague. SHOPLIFTERS
SmithKlein Gallery is offering a $500 for the return of this sculpture. Call 303 444 7200 with any information.]]> Sun, 15 Apr 2007 14:54:00 -0500 http://www.clickcaster.com/items/shoplifters http://www.clickcaster.com/items/shoplifters http://www.clickcaster.com/items/shoplifters 3448971 If you have any information on these people, please call the Boulder Police or Boulder County crime stoppers at 303-440-7867 or 1-800-444-3776. A possible reward of $1,000 is being offered. SmithKlein Gallery is offering a $500 for the return of this sculpture. Call 303 444 7200 with any information. no Michael Shankman Wed, 03 Jan 2007 11:50:48 -0600 http://www.clickcaster.com/items/michael-shankman-2 http://www.clickcaster.com/items/michael-shankman-2 http://www.clickcaster.com/items/michael-shankman-2 14722 Interview with artist Michael Shankman. no 8:14 Michael Shankman Interview with artist Michael Shankman. Holiday GIft Ideas  

Hand blown glass ornaments
Jewelry
Perfume bottles
Small sculptures
Paintings
Zuni fetishes and more!

Visit our website at www.smithklein.com or call us at 303 444 7200 for more information!


]]> Tue, 19 Dec 2006 18:34:00 -0600 http://www.clickcaster.com/items/holiday-gift-ideas http://www.clickcaster.com/items/holiday-gift-ideas http://www.clickcaster.com/items/holiday-gift-ideas 13976 Come visit SmithKlein Gallery at 1116 Pearl Street in Boulder Colorado on the west end of the Pearl Street Mall for your holiday shopping. We have gifts in all price ranges.   Hand blown glass ornaments Jewelry Perfume bottles Small sculptures Paintings Zuni fetishes and more! Visit our website at www.smithklein.com or call us at 303 444 7200 for more information! no Dec 1st Show

Dec 1st Show featuring Jim Budish and Ann Dettmer.

ANN DETTMER

Seated in her studio, in a chair covered with a bright pink throw, Ann
Dettmer turns to thoughts of her work: "My painting is always personal,
deeply so at it's best.  I trust the process - of coming to the easel
in an open and honest way and of allowing that exquisitely intimate
relationship between the luscious paint, the pristine canvas and the
workings of my heart to grow and sing.  I am fascinated by that
mysterious transformation which distills the stuff of my life through a
brush, pigment and oil and lays it out in vivid color.  I learn alot
from my time at the easel and am grateful for it."

Dettmer's work is highly individual.  Her years in commercial art honed
design, color and drawing skills.  Expressive brushwork supports an
emotional honesty, yet there always seems to be a sense of mystery. 
This is enhanced by the subtle complexities which continue to reveal
themselves over time.  Add her wide range of subject matter and mood,
and it's easy to understand the respect she receives throughout the
country from collectors and peers alike.

To view more of Ann's work please click on the following link
http://www.smithklein.com/Collection/Painting/Oildn/AnnDettmer




A Colorado native, Jim studied sculpture at the Art Students League of Denver and at the Loveland Academy of Fine Arts. He also participated in ISC (International Sculpture Center) workshops at the Art Institute of Chicago. Jim began his career sculpting representational figurative works. He realized in time however, that it was neither his desire nor ambition for his life’s work to be creating “photographs in bronze”. Rather, he decided that he wanted to be able to create his own new and unique direction in representing the human form and the forms of the multitude of special creatures that surround us. With each piece, he explores the attitude and emotion of his subject and attempts to capture the “joie de vivre” that he feels is lurking somewhere inside us all.

To view more of Jim's work please click on the following link
http://www.smithklein.com/Collection/Sculpture/JimBudish


For more information about SmithKlein Gallery please visit our website at www.smithklein.com
or call 303 444 7200

]]> Fri, 01 Dec 2006 19:08:00 -0600 http://www.clickcaster.com/items/dec-1st-show http://www.clickcaster.com/items/dec-1st-show http://www.clickcaster.com/items/dec-1st-show 13077   Dec 1st Show featuring Jim Budish and Ann Dettmer. ANN DETTMER Seated in her studio, in a chair covered with a bright pink throw, Ann Dettmer turns to thoughts of her work: "My painting is always personal, deeply so at it's best.  I trust the process - of coming to the easel in an open and honest way and of allowing that exquisitely intimate relationship between the luscious paint, the pristine canvas and the workings of my heart to grow and sing.  I am fascinated by that mysterious transformation which distills the stuff of my life through a brush, pigment and oil and lays it out in vivid color.  I learn alot from my time at the easel and am grateful for it." Dettmer's work is highly individual.  Her years in commercial art honed design, color and drawing skills.  Expressive brushwork supports an emotional honesty, yet there always seems to be a sense of mystery.  This is enhanced by the subtle complexities which continue to reveal themselves over time.  Add her wide range of subject matter and mood, and it's easy to understand the respect she receives throughout the country from collectors and peers alike. To view more of Ann's work please click on the following link http://www.smithklein.com/Collection/Painting/Oildn/AnnDettmer A Colorado native, Jim studied sculpture at the Art Students League of Denver and at the Loveland Academy of Fine Arts. He also participated in ISC (International Sculpture Center) workshops at the Art Institute of Chicago. Jim began his career sculpting representational figurative works. He realized in time however, that it was neither his desire nor ambition for his life’s work to be creating “photographs in bronze”. Rather, he decided that he wanted to be able to create his own new and unique direction in representing the human form and the forms of the multitude of special creatures that surround us. With each piece, he explores the attitude and emotion of his subject and attempts to capture the “joie de vivre” that he feels is lurking somewhere inside us all. To view more of Jim's work please click on the following link http://www.smithklein.com/Collection/Sculpture/JimBudish For more information about SmithKlein Gallery please visit our website at www.smithklein.com or call 303 444 7200 no 7:43 Dec 1st Show   Dec 1st Show featuring Jim Budish and Ann Dettmer. ANN DETTMER Seated in her studio, in a chair covered with a bright pink throw, Ann Dettmer turns to thoughts of her work: "My painting is always personal, deeply so at it's best.  I trust the process - of coming to the easel in an open and honest way and of allowing that exquisitely intimate relationship between the luscious paint, the pristine canvas and the workings of my heart to grow and sing.  I am fascinated by that mysterious transformation which distills the stuff of my life through a brush, pigment and oil and lays it out in vivid color.  I learn alot from my time at the easel and am grateful for it." Dettmer's work is highly individual.  Her years in commercial art honed design, color and drawing skills.  Expressive brushwork supports an emotional honesty, yet there always seems to be a sense of mystery.  This is enhanced by the subtle complexities which continue to reveal themselves over time.  Add her wide range of subject matter and mood, and it's easy to understand the respect she receives throughout the country from collectors and peers alike. To view more of Ann's work please click on the following link http://www.smithklein.com/Collection/Painting/Oildn/AnnDettmer A Colorado native, Jim studied sculpture at the Art Students League of Denver and at the Loveland Academy of Fine Arts. He also participated in ISC (International Sculpture Center) workshops at the Art Institute of Chicago. Jim began his career sculpting representational figurative works. He realized in time however, that it was neither his desire nor ambition for his life’s work to be creating “photographs in bronze”. Rather, he decided that he wanted to be able to create his own new and unique direction in representing the human form and the forms of the multitude of special creatures that surround us. With each piece, he explores the attitude and emotion of his subject and attempts to capture the “joie de vivre” that he feels is lurking somewhere inside us all. To view more of Jim's work please click on the following link http://www.smithklein.com/Collection/Sculpture/JimBudish For more information about SmithKlein Gallery please visit our website at www.smithklein.com or call 303 444 7200 Pastel with TERI JONAS  

 

 

Nationally recognized pastel artist Teri Jonas. November 2006 First Friday Show.

 

About the artist:

 

                       “Before I begin painting, I spend a great deal of time thinking about the composition, the colors, and the mood I want to convey. Once I have the general idea for a work, I do a graphic drawing. It is my way of fixing the abstract pattern of the subject firmly in my head. If I decide to use the pastel-over-watercolor approach, I begin the process by soaking the paper in water and then stretching it over plywood. After it has completely dried, I make light graphite lines to indicate where the main shapes go and apply a very loose wash to the paper. Sometimes, I make the under painting dark and monochromatic and later lighten it and modify the color with the pastel. Other times, I rework the under painting once or twice, and when I apply the pastels, I leave some areas untouched by pastel. Occasionally, I create an almost complete watercolor and use the pastels only to highlight and texture. I also create pastels without watercolor under paintings. These are more direct. I use both soft and hard pastels and sometimes vary the technique of working from dark to light and hard to soft, so as to produce an unusual effect.
                       
                           Once I begin to paint, I try to forget about my original idea and simply respond to what is happening on the paper. Sometimes the painting ends up looking quite different from what I had visualized. Rarely do I paint a specific locale. Anytime I see something that interests me, I start mentally forming a composition and selecting colors. I find it especially challenging to create paintings in my mind as I drive my car, because the countryside flows by so fast. However, I make a quick mental note of all the elements that appeal to me. Then, back at the studio, I use what I’ve recorded in my mind as the primary components of a painting. I concentrate on trying to capture a mood and, hopefully, strike a chord with the viewer.

 

                           Before I’ve completed a painting, I’ll let it sit anywhere from an hour to overnight, so that when I start to work on it again, I can do so with fresh eyes. I also hold the paintings up to a mirror. In examining the reversed image, I often notice problems I missed before.

 

                           Even after thirty years, I still find that sometimes I’m afraid to begin a painting. If I’ve prepared myself well, then I need to simply start and let the dynamics of the painting process take over. Trusting the self and the direction in which it leads is one of the most important lessons I’ve learned from painting.”

 

                           Teri Jonas is a self-taught artist who has been painting for close to thirty years. She works in pastel and watercolor. Jonas is an associate member of the Pastel Society of America, a signature member of both the Texas Watercolor Society and the Watercolor Society of Indiana, and a member of the Pastel Society of the Southwest and the Waterloo Watercolor Group. 

 

To view more of Teri's pieces, please got to: http://www.smithklein.com/Collection/Painting/Pastel/TeriJonas

 

For more information on Smithklein Gallery, please visit our website at:

www.smithklein.com

 

 

 

]]> Sat, 04 Nov 2006 10:46:00 -0600 http://www.clickcaster.com/items/pastel-with-teri-jonas http://www.clickcaster.com/items/pastel-with-teri-jonas http://www.clickcaster.com/items/pastel-with-teri-jonas 11250    Nationally recognized pastel artist Teri Jonas. November 2006 First Friday Show. About the artist:                        “Before I begin painting, I spend a great deal of time thinking about the composition, the colors, and the mood I want to convey. Once I have the general idea for a work, I do a graphic drawing. It is my way of fixing the abstract pattern of the subject firmly in my head. If I decide to use the pastel-over-watercolor approach, I begin the process by soaking the paper in water and then stretching it over plywood. After it has completely dried, I make light graphite lines to indicate where the main shapes go and apply a very loose wash to the paper. Sometimes, I make the under painting dark and monochromatic and later lighten it and modify the color with the pastel. Other times, I rework the under painting once or twice, and when I apply the pastels, I leave some areas untouched by pastel. Occasionally, I create an almost complete watercolor and use the pastels only to highlight and texture. I also create pastels without watercolor under paintings. These are more direct. I use both soft and hard pastels and sometimes vary the technique of working from dark to light and hard to soft, so as to produce an unusual effect.                                                    Once I begin to paint, I try to forget about my original idea and simply respond to what is happening on the paper. Sometimes the painting ends up looking quite different from what I had visualized. Rarely do I paint a specific locale. Anytime I see something that interests me, I start mentally forming a composition and selecting colors. I find it especially challenging to create paintings in my mind as I drive my car, because the countryside flows by so fast. However, I make a quick mental note of all the elements that appeal to me. Then, back at the studio, I use what I’ve recorded in my mind as the primary components of a painting. I concentrate on trying to capture a mood and, hopefully, strike a chord with the viewer.                             Before I’ve completed a painting, I’ll let it sit anywhere from an hour to overnight, so that when I start to work on it again, I can do so with fresh eyes. I also hold the paintings up to a mirror. In examining the reversed image, I often notice problems I missed before.                             Even after thirty years, I still find that sometimes I’m afraid to begin a painting. If I’ve prepared myself well, then I need to simply start and let the dynamics of the painting process take over. Trusting the self and the direction in which it leads is one of the most important lessons I’ve learned from painting.”                              Teri Jonas is a self-taught artist who has been painting for close to thirty years. She works in pastel and watercolor. Jonas is an associate member of the Pastel Society of America, a signature member of both the Texas Watercolor Society and the Watercolor Society of Indiana, and a member of the Pastel Society of the Southwest and the Waterloo Watercolor Group.  To view more of Teri's pieces, please got to: http://www.smithklein.com/Collection/Painting/Pastel/TeriJonas For more information on Smithklein Gallery, please visit our website at:www.smithklein.com    no 12:52 Pastel with TERI JONAS    Nationally recognized pastel artist Teri Jonas. November 2006 First Friday Show. About the artist:                        “Before I begin painting, I spend a great deal of time thinking about the composition, the colors, and the mood I want to convey. Once I have the general idea for a work, I do a graphic drawing. It is my way of fixing the abstract pattern of the subject firmly in my head. If I decide to use the pastel-over-watercolor approach, I begin the process by soaking the paper in water and then stretching it over plywood. After it has completely dried, I make light graphite lines to indicate where the main shapes go and apply a very loose wash to the paper. Sometimes, I make the under painting dark and monochromatic and later lighten it and modify the color with the pastel. Other times, I rework the under painting once or twice, and when I apply the pastels, I leave some areas untouched by pastel. Occasionally, I create an almost complete watercolor and use the pastels only to highlight and texture. I also create pastels without watercolor under paintings. These are more direct. I use both soft and hard pastels and sometimes vary the technique of working from dark to light and hard to soft, so as to produce an unusual effect.                                                    Once I begin to paint, I try to forget about my original idea and simply respond to what is happening on the paper. Sometimes the painting ends up looking quite different from what I had visualized. Rarely do I paint a specific locale. Anytime I see something that interests me, I start mentally forming a composition and selecting colors. I find it especially challenging to create paintings in my mind as I drive my car, because the countryside flows by so fast. However, I make a quick mental note of all the elements that appeal to me. Then, back at the studio, I use what I’ve recorded in my mind as the primary components of a painting. I concentrate on trying to capture a mood and, hopefully, strike a chord with the viewer.                             Before I’ve completed a painting, I’ll let it sit anywhere from an hour to overnight, so that when I start to work on it again, I can do so with fresh eyes. I also hold the paintings up to a mirror. In examining the reversed image, I often notice problems I missed before.                             Even after thirty years, I still find that sometimes I’m afraid to begin a painting. If I’ve prepared myself well, then I need to simply start and let the dynamics of the painting process take over. Trusting the self and the direction in which it leads is one of the most important lessons I’ve learned from painting.”                              Teri Jonas is a self-taught artist who has been painting for close to thirty years. She works in pastel and watercolor. Jonas is an associate member of the Pastel Society of America, a signature member of both the Texas Watercolor Society and the Watercolor Society of Indiana, and a member of the Pastel Society of the Southwest and the Waterloo Watercolor Group.  To view more of Teri's pieces, please got to: http://www.smithklein.com/Collection/Painting/Pastel/TeriJonas For more information on Smithklein Gallery, please visit our website at:www.smithklein.com    Kelly Schafermeyer Glass Blowing  the

Image 1 Photos by John Beale

 

 

 

 

 

1. Claire blows a colored cup of glass while Anthony gathers clear glass on a solid punty rod.

 

2. The cup is broken off the blow pipe and held with gloves. Anthony fills the colored cup with glass.

 

3. Anthony shapes the sides of the solid mass to form square sides.

 

4. The punty is hung up on a hook and the glass is pulled. It's pretty hot. This process takes a lot of finesse and control. The glass is stretched to full length.

 

5. The finished cane is broken down in lengths and put into the annealer to cool.


6. In the cold shop Claire cuts the canes into triangles on a diamond saw.

 

7. The triangles are painstakingly assembled into the pattern on a ceramic shelf.

 

8. The finished pattern, it will be preheated in an annealer before the pick up.


9. Anthony picks up the plate from the annealer and carries it to the glory hole for the first heat. It's really heavy.

Then it goes nto the glory hole.

 

10. Claire takes the plate for the next heats. The glass is getting softer as it gets hot.


11. A big squeeze. This helps the individual tiles of glass fuse together. We don't want any holes later in the vessel.

 

12. Anthony has prepared a collar of glass on a blow pipe.

 

13.The cane pattern is rolled onto the collar.

 

14. We very carefully fuse the seam. The pattern has to line up perfectly.


15. Anthony works the cylinder of glass, heating it many times until the shape is right.

 

16. The bottom of the cylinder is cut off, creating a closed bubble.

 

17. After some blowing we begin to cut in the neck of the bubble.

 

18. From here the vessel begins to take shape. It will be blown up and shaped some more, broken off onto a punty rod, and finished into its final form.

 

To view more pieces and the entire process please go to: http://www.smithklein.com/Collection/ArtGlass/R_Z/SchafermeyerKellyGlass

or contact SmithKlein Gallery at 303 444 7200

]]> Tue, 17 Oct 2006 16:04:00 -0500 http://www.clickcaster.com/items/kelly-schafermeyer-glass-blowing http://www.clickcaster.com/items/kelly-schafermeyer-glass-blowing http://www.clickcaster.com/items/kelly-schafermeyer-glass-blowing 10138  theImage 1 Photos by John Beale     1. Claire blows a colored cup of glass while Anthony gathers clear glass on a solid punty rod. 2. The cup is broken off the blow pipe and held with gloves. Anthony fills the colored cup with glass. 3. Anthony shapes the sides of the solid mass to form square sides. 4. The punty is hung up on a hook and the glass is pulled. It's pretty hot. This process takes a lot of finesse and control. The glass is stretched to full length. 5. The finished cane is broken down in lengths and put into the annealer to cool. 6. In the cold shop Claire cuts the canes into triangles on a diamond saw. 7. The triangles are painstakingly assembled into the pattern on a ceramic shelf. 8. The finished pattern, it will be preheated in an annealer before the pick up. 9. Anthony picks up the plate from the annealer and carries it to the glory hole for the first heat. It's really heavy.Then it goes nto the glory hole. 10. Claire takes the plate for the next heats. The glass is getting softer as it gets hot. 11. A big squeeze. This helps the individual tiles of glass fuse together. We don't want any holes later in the vessel. 12. Anthony has prepared a collar of glass on a blow pipe. 13.The cane pattern is rolled onto the collar. 14. We very carefully fuse the seam. The pattern has to line up perfectly. 15. Anthony works the cylinder of glass, heating it many times until the shape is right. 16. The bottom of the cylinder is cut off, creating a closed bubble. 17. After some blowing we begin to cut in the neck of the bubble. 18. From here the vessel begins to take shape. It will be blown up and shaped some more, broken off onto a punty rod, and finished into its final form. To view more pieces and the entire process please go to: http://www.smithklein.com/Collection/ArtGlass/R_Z/SchafermeyerKellyGlassor contact SmithKlein Gallery at 303 444 7200 no Erin Dertner

     

                                                                     ERIN DERTNER

At the age of 9 Erin Dertner knew she wanted to be an artist. Inspired by the beautiful California sunlight and nearby bodies of water she began learning to paint. Her mother was her first teacher, but Erin soon received extensive training from renowned teachers including: Marlin Simandle, Edward Betts, Kim English, Ovanes Berberian, La Vere Hutchings, Gail Chase-Bien, Ted Goerschner, Hope Stevenson, and others. As Erin’s career evolved she herself began teaching and is now known for her extraordinary use of light on canvas. Teaching workshops allows Erin to share her zeal for painting.

Accomplished in watercolor, acrylic and dry pastel, Erin is currently focused primarily on oil. Though she works with both a brush and a palette knife, she has been working more and more with the latter, creating rich vibrant images reminiscent of the great impressionists. Encouraged by SmithKlein Gallery to continue her palette knife technique Erin has matured into a skilled artist. Erin’s work is honest and deliberate. By building her work in many layers of paint, she achieves depth and a deep perspective unlike any other. Erin paints with passion, capturing the essence of a location by painting en plein air. Texture, mood, color and light are translated into a harmonious creation that allows the viewer to be transported directly to the scene. Erin’s travels provide her with ample opportunity to learn and grow as an artist as she explores other environments and climates in France, Italy, Greece and choice locations in the United States.

Erin has been painting for forty years. She is featured in several prestigious galleries and has sold approximately 1,500 paintings in the last 23 years. She and her husband currently own a gallery in California. They have two grown sons who follow in their mother’s footsteps by being artistic and adventurous. According to Erin, “There is no better life than to study the world with paintbrush in hand and a heart full of love and gratitude.”

To view Erin's work, please visit http://www.smithklein.com/Collection/Painting/Oildn/ErinDertner

SmithKlein Gallery recommends FIFTEENTH STREET STUDIO for framing. 1708 15th Street Boulder, Colorado 80302. (303) 447-2841

]]> Sun, 10 Sep 2006 16:12:00 -0500 http://www.clickcaster.com/items/erin-dertner http://www.clickcaster.com/items/erin-dertner http://www.clickcaster.com/items/erin-dertner 7884                                                                           ERIN DERTNERAt the age of 9 Erin Dertner knew she wanted to be an artist. Inspired by the beautiful California sunlight and nearby bodies of water she began learning to paint. Her mother was her first teacher, but Erin soon received extensive training from renowned teachers including: Marlin Simandle, Edward Betts, Kim English, Ovanes Berberian, La Vere Hutchings, Gail Chase-Bien, Ted Goerschner, Hope Stevenson, and others. As Erin’s career evolved she herself began teaching and is now known for her extraordinary use of light on canvas. Teaching workshops allows Erin to share her zeal for painting. Accomplished in watercolor, acrylic and dry pastel, Erin is currently focused primarily on oil. Though she works with both a brush and a palette knife, she has been working more and more with the latter, creating rich vibrant images reminiscent of the great impressionists. Encouraged by SmithKlein Gallery to continue her palette knife technique Erin has matured into a skilled artist. Erin’s work is honest and deliberate. By building her work in many layers of paint, she achieves depth and a deep perspective unlike any other. Erin paints with passion, capturing the essence of a location by painting en plein air. Texture, mood, color and light are translated into a harmonious creation that allows the viewer to be transported directly to the scene. Erin’s travels provide her with ample opportunity to learn and grow as an artist as she explores other environments and climates in France, Italy, Greece and choice locations in the United States. Erin has been painting for forty years. She is featured in several prestigious galleries and has sold approximately 1,500 paintings in the last 23 years. She and her husband currently own a gallery in California. They have two grown sons who follow in their mother’s footsteps by being artistic and adventurous. According to Erin, “There is no better life than to study the world with paintbrush in hand and a heart full of love and gratitude.”To view Erin's work, please visit http://www.smithklein.com/Collection/Painting/Oildn/ErinDertnerSmithKlein Gallery recommends FIFTEENTH STREET STUDIO for framing. 1708 15th Street Boulder, Colorado 80302. (303) 447-2841 no Michael Shankman                                                                                   

                                        Michael Shankman
 Michael Shankman was born and raised in Boulder, Colorado. While studying math and social sciences at UC Santa Barbara, he was able to study abroad for a year through the Global Studies Program. Michael opted to attend art school in Florence, Italy where he realized his true passion, painting.

Though Michael trained himself as a realistic figurative painter, he made the switch to cityscapes after discovering the natural influence of the architectural environment in which he currently resides. “Streetlights in particular have become a focal point for me, as they seem to sum up the functional-yet-absurd nature of our cities. I love the times of day when the sky is light but the city lights abound,” he states. Michael cites both Edward Hopper and Wayne Thiebaud as being two of his greatest influences. Clean lines and precise perspective easily lend themselves to the urban landscapes he paints. Recently Michael won an award of merit at a show in which one of his pieces was purchased by the permanent collection of the Bennington Center of the Arts.

To view Michael's work, please click on the following link:  http://www.smithklein.com/Collection/Painting/Oiloz/MichaelShankman

]]> Sat, 02 Sep 2006 19:04:00 -0500 http://www.clickcaster.com/items/michael-shankman http://www.clickcaster.com/items/michael-shankman http://www.clickcaster.com/items/michael-shankman 7525                                                                                                                           Michael Shankman  Michael Shankman was born and raised in Boulder, Colorado. While studying math and social sciences at UC Santa Barbara, he was able to study abroad for a year through the Global Studies Program. Michael opted to attend art school in Florence, Italy where he realized his true passion, painting. Though Michael trained himself as a realistic figurative painter, he made the switch to cityscapes after discovering the natural influence of the architectural environment in which he currently resides. “Streetlights in particular have become a focal point for me, as they seem to sum up the functional-yet-absurd nature of our cities. I love the times of day when the sky is light but the city lights abound,” he states. Michael cites both Edward Hopper and Wayne Thiebaud as being two of his greatest influences. Clean lines and precise perspective easily lend themselves to the urban landscapes he paints. Recently Michael won an award of merit at a show in which one of his pieces was purchased by the permanent collection of the Bennington Center of the Arts.To view Michael's work, please click on the following link:  http://www.smithklein.com/Collection/Painting/Oiloz/MichaelShankman no Bruce Cascia  

                                     Bruce Cascia

 

Bruce Cascia paints in a photo-realistic style. Using a small traditional Bristle paintbrush, he assiduously reproduces images of solitary diners, truck stops and motorcycles with lustrous chrome all placed in dramatic vistas of the American Southwest. His pieces call to mind the romance of big skies, vast open spaces and the freedom of the open road. The effect of his diligent painting is that of an actual photo, smooth and well blended. The colors in Bruce’s work are vibrant and impressive, and while the images do reflect reality they are so accurate they border on the surreal. Brushstrokes are virtually eliminated by blending colors, giving each piece a look that is similar yet more authentic than an air brush. Although Bruce occasionally works in acrylics, his primary medium is oil. Recently he has concentrated on two series: “dogs in Pick-ups” and “Hot Dog Stands.”

Bruce graduated from the University of Illinois with a BFA. His work is included in a number of corporate art collections such as Oscar-Mayer, DDB Needham Worldwide and Pearlnesco. In addition to the corporate collections, Bruce’s work can be found in the private collections of Jay Leno, Dennis hopper, and Peter Fonda. He also shows in several galleries throughout the United States. Eight of Bruce’s motorcycle paintings were included in the opening of the Field Museum’s well known “Art of the Motorcycle” show in Chicago. Bruce’s latest works will be available for viewing at SmithKlein Gallery.

 

 http://www.smithklein.com/Collection/Painting/Oilac/BruceCascia

]]> Sat, 26 Aug 2006 17:23:00 -0500 http://www.clickcaster.com/items/bruce-cascia http://www.clickcaster.com/items/bruce-cascia http://www.clickcaster.com/items/bruce-cascia 7141                                       Bruce Cascia Bruce Cascia paints in a photo-realistic style. Using a small traditional Bristle paintbrush, he assiduously reproduces images of solitary diners, truck stops and motorcycles with lustrous chrome all placed in dramatic vistas of the American Southwest. His pieces call to mind the romance of big skies, vast open spaces and the freedom of the open road. The effect of his diligent painting is that of an actual photo, smooth and well blended. The colors in Bruce’s work are vibrant and impressive, and while the images do reflect reality they are so accurate they border on the surreal. Brushstrokes are virtually eliminated by blending colors, giving each piece a look that is similar yet more authentic than an air brush. Although Bruce occasionally works in acrylics, his primary medium is oil. Recently he has concentrated on two series: “dogs in Pick-ups” and “Hot Dog Stands.”Bruce graduated from the University of Illinois with a BFA. His work is included in a number of corporate art collections such as Oscar-Mayer, DDB Needham Worldwide and Pearlnesco. In addition to the corporate collections, Bruce’s work can be found in the private collections of Jay Leno, Dennis hopper, and Peter Fonda. He also shows in several galleries throughout the United States. Eight of Bruce’s motorcycle paintings were included in the opening of the Field Museum’s well known “Art of the Motorcycle” show in Chicago. Bruce’s latest works will be available for viewing at SmithKlein Gallery.  http://www.smithklein.com/Collection/Painting/Oilac/BruceCascia no First Friday 8/4/06

 

August Benefit for the Humane Society featuring Bruce Cascia and Dede LaRue.

 

10 percent of various pieces will go directly to the Humane Society. Both Dede and Bruce also donated a piece along with Jim Budish to be auctioned off in a silent auction. 100 percent of the sales of the three pieces will go the the benefit.

 

The show will continue until the end of August.

 

Please visit our website for more informationat www.smithklein.com.

 

To view Bruce's work please click on the following link:

 

http://www.smithklein.com/Collection/Painting/Oilac/BruceCascia

 

To view some of Dede's work please click on the following link:

 

http://www.smithklein.com/Collection/Sculpture/DedeLaRue

 

 

To view some of Jame Vilona's work please click on the following link:  http://www.smithklein.com/Collection/Sculpture/JimVilona

 

Feel free to call us at 303 444 7200 with any questions.

]]> Fri, 04 Aug 2006 12:24:00 -0500 http://www.clickcaster.com/items/first-friday-8406 http://www.clickcaster.com/items/first-friday-8406 http://www.clickcaster.com/items/first-friday-8406 8094 oin us as we take a look at what is new for August at Smith Klein Gallery!  August Benefit for the Humane Society featuring Bruce Cascia and Dede LaRue. 10 percent of various pieces will go directly to the Humane Society. Both Dede and Bruce also donated a piece along with Jim Budish to be auctioned off in a silent auction. 100 percent of the sales of the three pieces will go the the benefit.  The show will continue until the end of August.  Please visit our website for more informationat www.smithklein.com. To view Bruce's work please click on the following link: http://www.smithklein.com/Collection/Painting/Oilac/BruceCascia To view some of Dede's work please click on the following link: http://www.smithklein.com/Collection/Sculpture/DedeLaRue  To view some of Jame Vilona's work please click on the following link:  http://www.smithklein.com/Collection/Sculpture/JimVilona Feel free to call us at 303 444 7200 with any questions. no 19:06 http://www.clickcaster.com/users/gallerysk/assets/first-friday-8406.flv First Friday 8/4/06 oin us as we take a look at what is new for August at Smith Klein Gallery!  August Benefit for the Humane Society featuring Bruce Cascia and Dede LaRue. 10 percent of various pieces will go directly to the Humane Society. Both Dede and Bruce also donated a piece along with Jim Budish to be auctioned off in a silent auction. 100 percent of the sales of the three pieces will go the the benefit.  The show will continue until the end of August.  Please visit our website for more informationat www.smithklein.com. To view Bruce's work please click on the following link: http://www.smithklein.com/Collection/Painting/Oilac/BruceCascia To view some of Dede's work please click on the following link: http://www.smithklein.com/Collection/Sculpture/DedeLaRue  To view some of Jame Vilona's work please click on the following link:  http://www.smithklein.com/Collection/Sculpture/JimVilona Feel free to call us at 303 444 7200 with any questions. Diana Heimann NecklaceDIANA HEIMANN

Introducing the Kaleidoscope Collection by Diana Heimann. Designed with two faceted custom cut, semi-precious cabochon stones layered to create completely new colors.

 


 

]]> Sun, 23 Jul 2006 13:20:00 -0500 http://www.clickcaster.com/items/diana-heimann- http://www.clickcaster.com/items/diana-heimann- http://www.clickcaster.com/items/diana-heimann- 5685 DIANA HEIMANN Introducing the Kaleidoscope Collection by Diana Heimann. Designed with two faceted custom cut, semi-precious cabochon stones layered to create completely new colors.     no Todd Reed - Jewelry Diamond and Raw Diamond Pin

 

Todd Reed:

 

"My work using raw diamond cubes and other natural diamond shapes...

It started as a way to question society about the idea of percieved value, and in particular how value and percieved value relate to certain ideas of beauty or perfection that have become norms of society. There are certain ad campaigns such as "she'll like you at 1/2 carat, but she'll love you at a carat" that prompted me to make this line of jewelry. This would be a line of jewelry that really did use the " most perfect diamond in the world" the actual raw diamond, uncut, un polished, natural perfect geometry. So that was around 1994 when this idea really started to take off.

I am a self taught goldsmith and metalsmith, and very much enjoy the hard work that goes into each piece. I have been exremely fortunate in that my work has won many international awards, and is frequently included in books, trade publications, and consumer magazines. My work can be seen at the finest shows and exhibitions in galleries and museums around the world. My work continues to grow as I grow, and I am still inspired by most everything. Beauty and nature are endless inspiration."

 

"Since 1992 Todd Reed has been exploring the use of raw diamonds in his timeless jewelry. Hand fabricated in 18 and 22 karat golds with sterling silver, each piece is a unique piece of art. Todd's jewelry has won many of the industries top awards and is represented by the top stores and galleries around the world. Todd continues to keep his work inspired and free from the confines of the societal norm".

Todd uses 18,20 and 22 kt gold, raw and cut diamonds and oxidized metals to create his unique pieces. To view Todd's work, please click on the link below.

 

http://www.smithklein.com/Collection/Jewelry/ToddReed

 

For more information about SmithKlein Gallery, please visit our website at www.smithklein.com

 

]]> Fri, 21 Jul 2006 19:33:00 -0500 http://www.clickcaster.com/items/todd-reed-jewelry http://www.clickcaster.com/items/todd-reed-jewelry http://www.clickcaster.com/items/todd-reed-jewelry 5650  Todd Reed: "My work using raw diamond cubes and other natural diamond shapes...It started as a way to question society about the idea of percieved value, and in particular how value and percieved value relate to certain ideas of beauty or perfection that have become norms of society. There are certain ad campaigns such as "she'll like you at 1/2 carat, but she'll love you at a carat" that prompted me to make this line of jewelry. This would be a line of jewelry that really did use the " most perfect diamond in the world" the actual raw diamond, uncut, un polished, natural perfect geometry. So that was around 1994 when this idea really started to take off.I am a self taught goldsmith and metalsmith, and very much enjoy the hard work that goes into each piece. I have been exremely fortunate in that my work has won many international awards, and is frequently included in books, trade publications, and consumer magazines. My work can be seen at the finest shows and exhibitions in galleries and museums around the world. My work continues to grow as I grow, and I am still inspired by most everything. Beauty and nature are endless inspiration." "Since 1992 Todd Reed has been exploring the use of raw diamonds in his timeless jewelry. Hand fabricated in 18 and 22 karat golds with sterling silver, each piece is a unique piece of art. Todd's jewelry has won many of the industries top awards and is represented by the top stores and galleries around the world. Todd continues to keep his work inspired and free from the confines of the societal norm". Todd uses 18,20 and 22 kt gold, raw and cut diamonds and oxidized metals to create his unique pieces. To view Todd's work, please click on the link below.  http://www.smithklein.com/Collection/Jewelry/ToddReed For more information about SmithKlein Gallery, please visit our website at www.smithklein.com  no 2 Artist Review: Mark Lague and Afro Celotto Montreal Snowstorm                                                       

Mark LaGue- Oil Painter

 

Inspired by the urban life, Mark Lague passionately paints visually intriguing cityscapes that exude a palpable energy.  From New York to Rome, he has the extraordinary ability to capture the very heart and soul of each and every city that he visits. Mark’s highly collectable oil paintings are a sharp contrast to the meticulous and detailed photo realist renderings he once did in pencil when he was starting his artistic career, but his hard work gave him a solid foundation in art technique.  His fresh new approach to painting takes a great deal of planning.  However, he is less concerned with fine detail and focuses more on capturing the energy and movement of his subjects, be it a lively city or quiet rainy street.  In fact, eliminating some of the detail in his work allows the viewer to become more engaged with the piece.

Mark begins every painting with a value study in pencil.  He generally paints “alla prima” or all in one session, but in order to do so, he must first plan and sketch out his piece in pencil and then in oil to work out any possible color conflicts.  “Painting directly and spontaneously, while maintaining control and accuracy,” is Mark’s basic philosophy when it comes to Plein Air painting.  Captivating and raw, Mark’s paintings show dazzling reflection and striking design like no other.  Mark Lague has been recognized and accepted into many prestigious juried exhibitions in both the United States and in Canada. He is considered one of the top cityscape artists of our time, and his latest works are available for viewing exclusively at SmithKlein Gallery in Boulder.

To view Mark's work click on the following link: http://www.smithklein.com/Collection/Painting/Oildn/MarkLague

                                                                              

                                                                                

 Maestrale

 Afro Celotto- Hand Blown Glass Artist

                                                                              

 

Afro was born in Venice the 24th of August 1963..
He has been involved in craeting art glass since he was only 15, working with the legendary glass artist Lino Tagliapietra.

He did his apprenticeship in "F3 International" art glass.
Lino, the"First master" glassmaker in the "La Murrina" international glass factory, specialized in two of the older tecniques: filigrana and murrina.
When Lino Tagliapietra left "F3 International" to open his own studio, Afro was requested to replace and substitute for Lino in F3.
After a co-operation with other factories and workshops, in 1999 Afro opened his own art studio with the younger talents GC. Tagliapietra and L. Vidal. Afro masters the most difficult tecniques, incalmo, filigrana, reticello, murrina, cold work but, since opening his studio, he has moved beyond excellence in execution and finally feels free to devote his focus to his artistic expression and unique works. 
Afro has the priviledge of an important artistic relationship with Pino Signoretto, generally considered the greatest master for heavy glass sculptures in Murano Island and member of the Dale Chihuly team.

During his creative experience Afro and his team have cooperated with several international artist and their artworks were exhibited in art galleries, museums and exhibitions all over the world.

 

To View Afro's work click on the following link: http://www.smithklein.com/Collection/ArtGlass/A_E/AfroCelotto

 

 

 For more information on these or any of our other artists, please give us a call at SmithKlein Gallery 303 444 7200.

SmithKlein is located at 1116 Pearl Street in Boulder, COlorado.

www.smithklein.com

 

 

]]> Fri, 14 Jul 2006 16:55:00 -0500 http://www.clickcaster.com/items/2-artist-review-mark-lague-and-afro-celotto http://www.clickcaster.com/items/2-artist-review-mark-lague-and-afro-celotto http://www.clickcaster.com/items/2-artist-review-mark-lague-and-afro-celotto 5321                                                        Mark LaGue- Oil Painter Inspired by the urban life, Mark Lague passionately paints visually intriguing cityscapes that exude a palpable energy.  From New York to Rome, he has the extraordinary ability to capture the very heart and soul of each and every city that he visits. Mark’s highly collectable oil paintings are a sharp contrast to the meticulous and detailed photo realist renderings he once did in pencil when he was starting his artistic career, but his hard work gave him a solid foundation in art technique.  His fresh new approach to painting takes a great deal of planning.  However, he is less concerned with fine detail and focuses more on capturing the energy and movement of his subjects, be it a lively city or quiet rainy street.  In fact, eliminating some of the detail in his work allows the viewer to become more engaged with the piece. Mark begins every painting with a value study in pencil.  He generally paints “alla prima” or all in one session, but in order to do so, he must first plan and sketch out his piece in pencil and then in oil to work out any possible color conflicts.  “Painting directly and spontaneously, while maintaining control and accuracy,” is Mark’s basic philosophy when it comes to Plein Air painting.  Captivating and raw, Mark’s paintings show dazzling reflection and striking design like no other.  Mark Lague has been recognized and accepted into many prestigious juried exhibitions in both the United States and in Canada. He is considered one of the top cityscape artists of our time, and his latest works are available for viewing exclusively at SmithKlein Gallery in Boulder.To view Mark's work click on the following link: http://www.smithklein.com/Collection/Painting/Oildn/MarkLague                                                                                                                                                                Afro Celotto- Hand Blown Glass Artist                                                                                Afro was born in Venice the 24th of August 1963.. He has been involved in craeting art glass since he was only 15, working with the legendary glass artist Lino Tagliapietra. He did his apprenticeship in "F3 International" art glass. Lino, the"First master" glassmaker in the "La Murrina" international glass factory, specialized in two of the older tecniques: filigrana and murrina. When Lino Tagliapietra left "F3 International" to open his own studio, Afro was requested to replace and substitute for Lino in F3. After a co-operation with other factories and workshops, in 1999 Afro opened his own art studio with the younger talents GC. Tagliapietra and L. Vidal. Afro masters the most difficult tecniques, incalmo, filigrana, reticello, murrina, cold work but, since opening his studio, he has moved beyond excellence in execution and finally feels free to devote his focus to his artistic expression and unique works.  Afro has the priviledge of an important artistic relationship with Pino Signoretto, generally considered the greatest master for heavy glass sculptures in Murano Island and member of the Dale Chihuly team. During his creative experience Afro and his team have cooperated with several international artist and their artworks were exhibited in art galleries, museums and exhibitions all over the world.  To View Afro's work click on the following link: http://www.smithklein.com/Collection/ArtGlass/A_E/AfroCelotto   For more information on these or any of our other artists, please give us a call at SmithKlein Gallery 303 444 7200.SmithKlein is located at 1116 Pearl Street in Boulder, COlorado.www.smithklein.com   no Friday July 7th 2006 somos diosas

 

First Friday in July show.
Interview with owners Deborah SmithKlein and her son, Nathan. A bit about the gallery and when it opened, the history of the art in the gallery and a look at moving in a more contemporary direction.

 

Discussion about the featured artist, Agustin Castro from Mexico City. http://www.smithklein.com/Collection/Painting/Oilac/AugustinCastro

Interview with Maya, the artist's representative.

 

Join us weekly for a new blog on various artists and techniques and monthly for podcasts recorded at our first Friday show openings!

 

 

]]> Tue, 11 Jul 2006 16:24:00 -0500 http://www.clickcaster.com/items/friday-july-7th-2006 http://www.clickcaster.com/items/friday-july-7th-2006 http://www.clickcaster.com/items/friday-july-7th-2006 5234  First Friday in July show. Interview with owners Deborah SmithKlein and her son, Nathan. A bit about the gallery and when it opened, the history of the art in the gallery and a look at moving in a more contemporary direction. Discussion about the featured artist, Agustin Castro from Mexico City. http://www.smithklein.com/Collection/Painting/Oilac/AugustinCastroInterview with Maya, the artist's representative.  Join us weekly for a new blog on various artists and techniques and monthly for podcasts recorded at our first Friday show openings!   no 16:48 Friday July 7th 2006  First Friday in July show. Interview with owners Deborah SmithKlein and her son, Nathan. A bit about the gallery and when it opened, the history of the art in the gallery and a look at moving in a more contemporary direction. Discussion about the featured artist, Agustin Castro from Mexico City. http://www.smithklein.com/Collection/Painting/Oilac/AugustinCastroInterview with Maya, the artist's representative.  Join us weekly for a new blog on various artists and techniques and monthly for podcasts recorded at our first Friday show openings!   Welcome SmithKlein Gallery, 1116 Pearl Street in Boulder Colorado, will be podcasting soon! We will discuss the artists that we carry and explore the various techniques used in art today. In addition we will be podcasting special events such as poetry readings and shows.

 

Please visit our website at www.smithklein.com for more information about our gallery!

]]> Tue, 27 Jun 2006 18:09:00 -0500 http://www.clickcaster.com/items/welcome-6 http://www.clickcaster.com/items/welcome-6 http://www.clickcaster.com/items/welcome-6 4814 SmithKlein Gallery, 1116 Pearl Street in Boulder Colorado, will be podcasting soon! We will discuss the artists that we carry and explore the various techniques used in art today. In addition we will be podcasting special events such as poetry readings and shows. Please visit our website at www.smithklein.com for more information about our gallery! no